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‘It feels like the light is pushing the darkness apart’: Gellért Gombai’s best phone picture

The Guardian · Art_design 5h ago

Andre D. Wagner’s Eye for the Photo-Ready

The New Yorker 5h ago

My Year of O.C.D.

The New Yorker 5h ago

We Can Never Understand Elizabeth Holmes, or Nathan Fielder

The New Yorker 5h ago

Diaries of a Primitive Man

Hyperallergic 5h ago

Culture coverage

Ibrahim Mahama’s Most Ambitious Show Yet Is Headed to Paris—But Its Core Is in Ghana

ARTnews · Culture 5h ago

Lana Del Rey’s Country Duet and 9 More Songs We're Talking About

The New York Times · Arts 6h ago

A Mona Lisa Etched Into Oklahoma’s Skies by a Pilot and His Plane

The New York Times · Art_design 6h ago

In Netflix’s ‘East of Eden,’ Florence Pugh’s Cathy Ames Is Recognizably Human

The New York Times · Arts 6h ago

A Mona Lisa Etched Into Oklahoma’s Skies by a Pilot and His Plane

The New York Times · Arts 6h ago

Who Is Billy Evans, Elizabeth Holmes’s Fiancé and the Antagonist of ‘You Can See Everything’?

The New York Times · Arts 6h ago

Inside the NYC Ballet’s Rare Revival of Balanchine’s ‘Pithoprakta’

The New York Times · Arts 6h ago

Blurring the Line Between 3 Dimensions and 2

The New York Times · Art_design 6h ago

Blurring the Line Between 3 Dimensions and 2

The New York Times · Arts 6h ago

Valor Mortis Upends the Soulslike Genre in First Person

The New York Times · Art_design 6h ago
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